Showing posts with label AP. Show all posts
Showing posts with label AP. Show all posts

Saturday, May 7, 2016

How you can help unmask the Common Core by asking your Commissioner about computer scoring of the PARCC/SBAC exams

Please take a look at my piece on computer scoring of the PARCC and SBAC exams in a special report of the Network for Public Education; also posted at the Washington Post AnswerSheet.

To summarize: neither Pearson, in charge of administering and scoring  the PARCC exams, nor AIR in charge of the SBAC exams, have publicly told parents that their standard contracts call for half or more of their children's writing responses to be graded exclusively by robo-scorers, and never to be seen by a human being.  Yet these states also have the option to have the exams scored by humans at an extra charge.

Why is this important?  No computer program has so far been shown to have the ability to distinguish total nonsense from coherent prose.  Instead, robo-scorers grade prose according to its length and how much abstruse vocabulary is used.  As Les Perelman has warned, an expert on computer scoring, the inability of machines to identify gibberish from substance may lead teachers and test prep companies to train students to game the system by writing verbose and nonsensical prose -- the opposite of what the Common Core standards are supposed to encourage.

This reality unmasks the claims of its proponents that the Common Core and its allied assessments are really aimed at encouraging critical thinking and more advanced skills.  Instead as I conclude, "the primary objective of Bill Gates and many of those promoting the Common Core and allied exams is to standardize both instruction and assessment and to outsource them to reductionist algorithms and machines, in the effort to make them more efficient. Essentially, the point of this grandiose project imposed upon our nation’s schools is to eliminate the human element in education as much as possible."

One correction to the piece: Instead of my implication that ETS  uses computers exclusively to score  writing on the GRE exams, the company informed us that a trained human reader and a computer scores  every writing sample. If the human and the computer scores closely agree, the average of the two scores is used . If they disagree, a second human being is asked to assess the sample, and the final score is the average of the two human scores.

We wrote every Commissioner from the PARCC and SBAC states to ask them if they were using automated scoring, and only those from the following states responded: Oregon, Massachusetts, Nevada, and West Virginia. These officials informed us that their states were not using automated scoring at this time.

Wyoming Superintendent Jillian Balow also replied to our letter that she shared our concerns about automated scoring and that her state was no longer using the SBAC exam. Colorado Commissioner Richard Crandall responded to a parent activist in his state,that the state was using the standard PARCC method of having the writing samples scored by a computer two thirds of the time, with only ten percent of those re-checked by a human being, and argued this was necessary to maximize "efficiency."    (If you'd like to read them, their responses in full are linked to from my report.)

Though Rhode Island Commissioner Ken Wagner, formerly NY Deputy Commissioner, did not respond to our letter, the same day he  made the astonishing claim in a public forum that  his state was also using computers to score two thirds of the writing samples on the PARCC exam, because research has shown that "computers did a better job scoring than even expert trained teachers."  He also added that “SAT, GRE, GMA, those kinds of programs have been doing this stuff for a very long time.

Yet as mentioned above,  every writing sample on the GRE is scored by both a computer and a human being, and the College Board uses trained human scorers exclusively on writing samples for the SAT and AP exams.

The following 18 states and districts have failed to respond to our letter as to whether they are using computers to score writing samples on their PARCC or SBAC exams: CA, CT, DE, DC, HI, ID, IL, LA, MD, MI, MT, NH, NJ, NM, ND, SD, VT, and WA.

If you are a parent, teacher or advocate in one of these states, please send your Commissioner of Education these questions:
  • What percentage of the ELA exams in our state are being scored by machines this year, and how many of these exams will then be re-scored by a human being?
  • What happens if the machine score varies significantly from the score given by the human being?
  • Will parents have the opportunity to learn whether their children’s ELA exam was scored by a human being or a machine?
Their email addresses are posted here.  And please let us know if you get a response by emailing us at info@studentprivacymatters.org and/or posting their reply below.  Thanks!  

Wednesday, September 26, 2012

Critics pan “Won’t Back Down” as badly made propaganda film


UPDATE: As of Thursday morning, the reviews keep coming in, most of them extremely critical.  The rating on Rotten Tomatoes is 32% from all critics18% from top critics, which if it stands will make it one of the worst reviewed films of the year.  However, the user reviews are just as influential, if not more, for many people in deciding which movies to go see on the opening weekend; which in turn determines how long theaters will keep it going.   Students First, Michelle Rhee's group, is sending its staff people to write positive reviews; as Jersey Jazzman blogged about last night.  I strongly encourage anyone who has seen the film to send in your review, whatever you thought of the film, even if its only a few short lines, to Rotten Tomatoes as well.

Today there have been many scathing reviews of the new “parent tricker” film “Won’t Back Down” consistent with my view, that it is an extremely poorly made film as well as shameless propaganda.  

Hopefully the huge promotional push by privateer astroturf organizations like DFER and Students First, and the shameless publicity provided by MSNBC/NBC Education Nation won’t be able to overcome these terrible reviews (and bad word of mouth as well).  

As of 5;30 pm today, it is getting a 18% “Splat” rating on Rotten Tomatoes, and 11% from top critics, meaning  eight out of nine reviews are bad..  If you’ve seen the film, please add your User review on that website as well.  Here are some excerpts from the critics: 
AP review Fails to make the grade”:  Theaters should install glow-in-the-dark versions of those old clunking classroom clocks so viewers can count the agonizing minutes ticking by as they watch the movie.”

NPR review:  “Too-Easy Way Out””  "something less honorable...propaganda piece with blame on its mind." 

Hollywood Reporter review:   pedestrian & insultingly tendentious…condescending... dumbed-down agenda film… Given the disingenuous way in which this lumbering movie pushes obvious buttons and manipulates the audience’s emotional investment while conveniently skimming the issues, it’s a mystery how some of these names got roped in.”

Variety review: "disingenuous pot-stirrer...taking public for dummies...cardboard characterizations..."
 

My favorite?  The Salon review, headlined “Won't Back Down" is an offensive, lame, union-bashing drama”:

 

“ …the movie is unbelievable crap and the whole project was financed by conservative Christian billionaire Phil Anschutz, also the moneybags behind the documentary “Waiting for ‘Superman,’” …“simpering, pseudo-inspirational pap, constructed with painful awkwardness and disconnected from any narrative plausibility or social reality…. script that has that disconnected, amateurish quality distinctive to conservative-oriented entertainment and plays written by fourth-graders…. a set of right-wing anti-union talking points disguised (with very limited success) as a mainstream motion-picture-type product. Someone needs to launch an investigation into what combination of crimes, dares, alcoholic binges and lapses in judgment got Viola Davis and Maggie Gyllenhaal into this movie….”

The only somewhat mixed review so far is from Rex Reed in the NY Observer

“As a message picture, its heart is in the right place. Too bad it doesn’t always manage to rise above a swirl of predictable Hollywood clichés.”